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CNC Rewriting Grant: What Now?

  • May 22
  • 2 min read







You've received the CNC rewriting grant. That's very good news—congratulations!

What now?


You have a budget and time to rewrite, to bring to fruition this screenplay you believe in. Yet knowing that a screenplay isn't finished is not enough to transform that feeling into clear decisions, into precise and actionable rewriting directions. You don't have the necessary distance, and that's completely normal.


This is exactly where a script doctor comes in.


Every script doctor has their own method, their perspective, their sensitivity. Some come from writing, others from development, still others from production.

I come from editing.


Nearly twenty years searching through footage for the right line, the right look, the rhythm and breath of the film. Testing them, guiding them to their place in the story. Watching them add up to become more than the sum of their parts. Making magic. Nearly twenty years in dialogue with directors so that what I feel from the footage, what I've read in the screenplay, meets the director's vision, or even bettern amplifies it.


It's this same approach I apply as a script doctor. This search for the self-evident to carry a story and its subtleties. This sense of meaningful detail, of rhythm, but also of how a screenplay must be precise in its intention while being prepared for the mutations imposed by shooting and editing, to grow richer without losing itself.

The rewriting grant budget can include payment for an external consultant. This isn't a detai, it's recognition of the value of working with multiple perspectives, of the added value of good script doctoring.


A good script doctor gives you the distance, clarity, and momentum to bring your screenplay to fruition without losing the intention. Quite the contrary.

More informations on CNC'swebsite: 




Déborah Braun / 90pages

Script doctor






 
 

+336 61 35 85 85 

deborah@90pages.fr

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90pages is a script consulting practice founded by Déborah Braun, a script consultant and film editor for nearly 20 years. She brings her experience of the film’s third writing to screenplay consultation in French and English.

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